《时间的风景》是备受赞誉的摄像师和导演，汤姆·劳的首部影片。影片采用慢镜头与定时拍摄的摄影技术，向我们展示了美国西南部陆地、人文以及野外令人惊叹的瑰丽景色。为拍摄本影片，劳开着他的丰田敞篷小卡车奔走于美国西南部，历时两年。 　　《时间的风景》的拍摄、剪辑和色彩分级均采用4K 分辨率（4096×2304像素），是世界上首部面向公众发售的4K电影。

《人，空间，时间和人》讲述了一艘老军舰上不同年龄和职业的人之间发生的故事， 强奸，谋杀，兵变， 金基德没有给予片中的人物丝毫的放松时间。 电影中的所有人物既没有名字也没有背景，唯一重要的只有让人喘不过气来的“当下”。在一个戏剧性的人际关系的漩涡之中，一场关于食物和生存的斗争完全转向了荒诞。

这是勒莫汉·杰里迈亚·摩西（Lemohang Jeremiah Mosese）童年的诗意寓言，是对电影的颂歌，也是对他母亲内心的致敬。摩西通过碎片化的叙事和神话般的意象，构建了一场关于错位与归属感的令人难忘的反思。

这是勒莫汉·杰里迈亚·摩西（Lemohang Jeremiah Mosese）童年的诗意寓言，是对电影的颂歌，也是对他母亲内心的致敬。摩西通过碎片化的叙事和神话般的意象，构建了一场关于错位与归属感的令人难忘的反思。

"Space" 　　Amy is trying to get the Doctor's attention while he fixes the TARDIS. She discovers that Rory is helping the Doctor by installing thermal couplings underneath the glass floor of the TARDIS. Rory and Amy then start a small argument, when the TARDIS suddenly shakes and the lights go out. The Doctor asks Rory if he dropped a thermal coupling, which Rory admits to and apologizes for doing. Amy then apologizes as well, and, at the Doctor's confusion, explains that Rory was looking up her skirt through the glass floor when he dropped the thermal coupling. The Doctor then notes that they have landed through "emergency materialization" which should have landed the TARDIS in the safest space available. The lights come on, revealing another TARDIS inside the control room - the TARDIS has materialized inside itself. The Doctor experimentally walks through the door of the TARDIS inside the control room and instantly walks back into the control room through the door of the outer TARDIS. The Doctor tells Rory and Amy that they are trapped in a "space loop" and that nothing can enter or exit the TARDIS ever again. Despite the Doctor's words, another Amy enters through the TARDIS outer door saying "Okay kids, this is where it gets complicated." 　　"Time" 　　Continuing from the ending of "Space", the other Amy reveals that she is from a few moments in the future, and is able to come into the current outer TARDIS because "the exterior shell of the TARDIS has drifted forwards in time". The other Amy knows what to say and do because, from her perspective, she is repeating what she heard herself say earlier on. The Doctor sends the current Amy into the TARDIS within the current TARDIS, in order to "maintain the timeline". The two Amys take a moment to flirt with each other before the current one departs, much to the Doctor's exasperation. However, not long after the current Amy has left, Rory and Amy enter through the door of outer TARDIS, explaining that the Doctor, from their perspective, just sent them into the inner TARDIS. The current Doctor promptly sends the current Rory and now-current Amy through the inner TARDIS. The Doctor then explains that he will set up a "controlled temporal implosion" in order to "reset the TARDIS", but in order to do so he must know which lever to use on the control panel. Moments after he speaks, another Doctor enters though the outer TARDIS door and tells him to use "the wibbly lever", which he quickly operates, then steps into the inner TARDIS to tell his past self which lever to use. The inner TARDIS dematerialises while the outer TARDIS (being the same TARDIS) does the same, and the Doctor assures Amy and Rory that they are now back in "normal flight", and then advises Amy to "put some trousers on."

"Space" 　　Amy is trying to get the Doctor's attention while he fixes the TARDIS. She discovers that Rory is helping the Doctor by installing thermal couplings underneath the glass floor of the TARDIS. Rory and Amy then start a small argument, when the TARDIS suddenly shakes and the lights go out. The Doctor asks Rory if he dropped a thermal coupling, which Rory admits to and apologizes for doing. Amy then apologizes as well, and, at the Doctor's confusion, explains that Rory was looking up her skirt through the glass floor when he dropped the thermal coupling. The Doctor then notes that they have landed through "emergency materialization" which should have landed the TARDIS in the safest space available. The lights come on, revealing another TARDIS inside the control room - the TARDIS has materialized inside itself. The Doctor experimentally walks through the door of the TARDIS inside the control room and instantly walks back into the control room through the door of the outer TARDIS. The Doctor tells Rory and Amy that they are trapped in a "space loop" and that nothing can enter or exit the TARDIS ever again. Despite the Doctor's words, another Amy enters through the TARDIS outer door saying "Okay kids, this is where it gets complicated." 　　"Time" 　　Continuing from the ending of "Space", the other Amy reveals that she is from a few moments in the future, and is able to come into the current outer TARDIS because "the exterior shell of the TARDIS has drifted forwards in time". The other Amy knows what to say and do because, from her perspective, she is repeating what she heard herself say earlier on. The Doctor sends the current Amy into the TARDIS within the current TARDIS, in order to "maintain the timeline". The two Amys take a moment to flirt with each other before the current one departs, much to the Doctor's exasperation. However, not long after the current Amy has left, Rory and Amy enter through the door of outer TARDIS, explaining that the Doctor, from their perspective, just sent them into the inner TARDIS. The current Doctor promptly sends the current Rory and now-current Amy through the inner TARDIS. The Doctor then explains that he will set up a "controlled temporal implosion" in order to "reset the TARDIS", but in order to do so he must know which lever to use on the control panel. Moments after he speaks, another Doctor enters though the outer TARDIS door and tells him to use "the wibbly lever", which he quickly operates, then steps into the inner TARDIS to tell his past self which lever to use. The inner TARDIS dematerialises while the outer TARDIS (being the same TARDIS) does the same, and the Doctor assures Amy and Rory that they are now back in "normal flight", and then advises Amy to "put some trousers on."

剩下的是什么？生命留下痕迹，时间的流逝也留下痕迹。托马斯·海斯（ThomasHeise）的海德主义者伊恩·劳姆·奥斯·泽特（EinRaum ausZeit）研究了一个人与另一个人的关系。他利用自己的个人档案中的文件——信件、照片、学校论文、日记条目——由海斯自己用画外音朗读并在屏幕上展示，从而追溯出他在维也纳、德累斯顿和（东）柏林四代家庭的故事。我们看到了信件中提到的地方和风景的黑白图像，它们现在的样子带有时间的标记：泽尔斯特的劳工营，前国家人民军兵营，大学礼堂，美因茨的梯田房屋。土、土堆、露天地层、火车站、火车站和铁轨也屡屡出现裂缝。首先是爱，父亲，母亲，儿子和兄弟，维也纳犹太人被驱逐出境，德累斯顿战死，艺术和文学，东德社会主义和保持体面——海斯用个人经验的碎片，精心挑选和拼凑的差距，讲述了德国在2零世纪。一部伟大的电影，一部仍将继续。 　　What remains? Lives leave behind traces; so does the passage of time. Thomas Heise’s Heimat ist ein Raum aus Zeit examines how the one relates to the other. Using documents from his personal archive – letters, photographs, school essays, diary entries – read by Heise himself in voiceover and shown on screen, he traces out the story of four generations of his family in Vienna, Dresden and (East) Berlin. We see black and white images of the places and landscapes mentioned in the correspondence as they look today, which bear the marks of time: the labour camp in Zerbst, the former National People’s Army barracks, a university auditorium, terraced houses in Mainz. There are also cracks in the earth, mounds, open strata and railway stations, trains and tracks again and again. First loves, fathers, mothers, sons and brothers, the deportation of the Viennese Jews, war dead in Dresden, art and literature, East German socialism and staying respectable – using fragments from the repository of personal experience, meticulously chosen and pieced together with gaps, Heise tells nothing less than the story of Germany in the 20th century. A great film, and one that will remain.

抵抗的风景追溯了 97 岁的反法西斯战士索尼娅的记忆之旅，她是南斯拉夫最早的女游击队员之一，也是奥斯维辛抵抗运动的领导人之一。正如索尼娅所说，我们穿越了她现在存在的革命青年的风景——塞尔维亚的森林和山脉以及奥斯威辛的泥泞地带——以及她与丈夫和猫住在一起的贝尔格莱德小家。由于索尼娅是一个伟大的讲故事的人，能够在没有后见之明的情况下讲述过去的事件，她将我们直接带入了引发反法西斯抵抗的独特氛围和心态。我们看到她的故事穿越时间流向新一代的身体，证明思考和练习抵抗总是可能的。

讲述伪装老人是孤独死的破旧小区，听到犯人告解圣事的老神父，和中年女刑警合作而展开的追踪惊悚故事。

《尽头的风景》是亚历山德罗·努纳德里（Alessandro Lunardelli）的导演处女作，由意大利和智利联合拍摄，在意大利、西班牙和智利三国取景，是一部讲述兄弟亲情、身份认同和成长冒险的公路电影。主人公戴维和哥哥诺里斯一直生活在意大利北部小城，兄弟俩很早就接手了家族产业。戴维18岁，是一个没有公开出柜的同志；诺里斯30岁不到，只热爱足球，对弟弟的性取向一无所知。为观看所支持球队的比赛，诺里斯带戴维前往巴塞罗那，结果在那里戴维遇见了智利来的环保狂热分子安迪。两个年轻人一见钟情，当安迪向戴维提出一起回南美生活后，戴维没有经过多少心理挣扎就和安迪来到了圣地亚哥。一个全新的世界在戴维面前展开，可很多事并不像他想象的那样轻松。与此同时诺里斯也踏上了前往圣地亚哥的旅途，希望能够带弟弟回家...◎QAF